2018 Yuletide Cards are On the Way

Winter Woodpecker: Ink & Watercolor

Winter Woodpecker: Ink & Watercolor

As of today, all our Yuletide cards are on the way to their recipients (or at least they will be when the USPS picks them up tomorrow!). My artwork for the card design is shown above. Naturally, the copyright notice does not appear on the card itself; it is included here only so that my artwork does not mysteriously become someone else’s design without my permission!

Mary and I discussed whether a Woodpecker was a “seasonal” bird, then we discovered that the USPS had already issued a set of stamps called “Winter Birds”, which included a woodpecker (albeit not a Downy Woodpecker)!

 

New Year’s Eve: Then & Now

New Year's Eve, 1977

New Year’s Eve, 1977

The photo above was taken exactly 40 years ago, on New Year’s Eve, 1977. The location was the War Memorial near the summit of Oliver’s Mount, in Scarborough, which as I’ve mentioned in a previous post, was a prime spot for sky and cloud photography.

According to my records, this particular photo was taken at 3.05 that afternoon, indicative of the shortness of days at that time of year. The sky that afternoon seemed to me to be heavy with a sense of foreboding, which turned out to be appropriate, because many tumultuous events were about to occur in my life during the ensuing few years. In retrospect it seems like an incredible and very scary roller-coaster ride, ending only ten years later, in 1987, when I found myself spending my first New Year on a different continent, here in California.

The Birds Just Won’t Pose

Yesterday, a flock of Robins and Waxwings appeared in the ornamental pear trees in front of our house. This is a fairly common event here during Winter, but it was the first time this year that I’d noticed the two species together in the trees.

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Robin & Waxwing in a Pear Tree

I mentioned in an earlier post that these scenes formed the inspiration for the design of our 2017 Yuletide Card, titled Sonoma Winter Birds.

One advantage of being able to draw, and so create my own artwork, is that I can pose my subjects in whatever way results in the best composition. For the card design, I was able to position the two birds close to each other, striking exactly the poses that I wanted. For the robin, I knew the pose that I wanted, but was unable to find any reference material showing one in that position. Nonetheless, understanding something of the anatomy of birds meant that I could create a convincing pose from my imagination, aided by images of similar species, as below.

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Sonoma Winter Birds

Back when I was learning to draw, the usefulness of that skill in this age of photography was sometimes questioned. Why spend hours creating a realistic image, when the camera can achieve equivalent or better results in a fraction of a second? It has since become clear to me that natural history subjects are one area where drawing skill continues to offer an advantage over photography.

No matter how good their equipment, photographers do not have the luxury of being able to conjure up a scene from their imaginations. When shooting natural history subjects, they must be content with whatever poses their actors choose to adopt. My own photo above shows that, even though the birds were together in the same tree, they were never close enough to each other so that I could capture them in the same frame. Instead, I simply created a composite bitmap of 2 photos.

Even so, there’s no doubt that the abundance of photographs of any desired subject provides a treasury of reference material that was simply unavailable to earlier generations of illustrators. I’ll have more to say about this in a future post.

Happy New Year 2018!

My best wishes to all of you for a joyous and prosperous 2018!